Poppy No. 15, 2020 - 2026
Poppy reflects on the flower as a symbol shaped by memory, sacrifice, and the persistence of life. Emerging from its association with the First World War, it holds a tension between fragility and endurance.
Yatsude, 2026
Ginkgo Leaves, 2026
Fossil engages with deep time through ancient plant lineages that extend far beyond human experience. The work reveals the distance between human perception and geological time.
Ginkgoes are considered a living fossil, with a lineage extending approximately 290 million years into the past, predating bees by around 170 million years.
Aether, 2024
Ginkgo, 2020 - 2026
Fossil engages with deep time through ancient plant lineages that extend far beyond human experience. The work reveals the distance between human perception and geological time.
Ginkgoes are considered a living fossil, with a lineage extending approximately 290 million years into the past, predating bees by around 170 million years.
Waratah, 2020 - 2026
A flowering lineage shaped long before the emergence of bees.
Magnolia, 2020-2026
An ancient genus predating the evolution of bees, originally pollinated by beetles.
Paper No.9, 2021
Paper becomes unstable under conditions of light and movement, shifting between object and image. The work reveals how perception produces rather than records reality.
Luxembourg Art Prize 2021 finalist.
Pair No. 1, 2014 - 2015
Pair presents ambiguous forms through which viewers construct their own narratives of intimacy and connection. The work reveals perception as projection.
Pair No. 3, 2014-2015
Pink No. 5, 2021 - 2026
Pink operates as a carrier of cultural and emotional association, altering the experience of familiar environments. The work reveals how perception is shaped before conscious awareness.
Pink No. 6, 2021 - 2026
Peony No. 15, 2020 - 2026
Peony is named after Paeon, who was the student of Asclepius, the Greek God of medicine and healing. Paeon was the physician of the gods and Asclepius became jealous of him, which Zeus saved him of his wrath by changing him into a Peony flower.
The symbol of these flowers and cultural significance is what interests me in these images, how their forms influence the viewer and interpretation from their personal experience.
Harbour Fog No.5, 2019 - 2021
Kirribilli Palms, 2020